Archived Two Scoops commentary columns for Days of our Lives from our soapcentral.com columnists.

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Days of Our Lives (TV Series 1. Trivia. John Shrum designed the pilot's stage sets, salvaging set elements from the former . Shrum integrated stair, door, window, fireplace mantle units.

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Building the Horton House set, the living room was spread open like a book, the central arch in front of the main house door, a . John selected a neutral color pallet of . This color scheme was a common pattern in color television set design. Early transmission electronic signals had problems with backgrounds with intense hues, as reds, yellows, oranges, because these background colors reflective color values affected actors' skin tones. Blue hues were the most compatible, and for this reason, the hospital's corridors, nurse stations and lounges, rooms, were established in the pale blue color. After the pilot sold as a series in 1. John Shrum continued as Art Director, acting as supervising Art Director, allowing novice Assistants to helm the art direction duties.

Hub Braden Art Directed the summer of 1. Ed Flesh, from NBC- NY, replaced Hub and was Art Director from 1. During this period, Studio 9 was built to move the series to it's own stage, freeing up the main NBC Stages 2, 4, 1 & 3 for Specials and for host- variety series (Andy Williams, Phyllis Diller, Bob Hope, Johnny Carson). In mid 1. 96. 9, Gloria Monte developed a new day- time series . This program moved in and was set- up on the other half of Stage 9. This combination of shows utilized the stage facility full time. Milt Altman, NBC- Art Department Director, moved Ed Flesh from the .

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Hub Braden took over . Milt Altman then assigned Braden to the new game show series, .

Replacing Hub, Milt Altman assigned Scott Rittenhour as Art Director to . Scott demanded an assistant art director. Milt assigned (a newly hired) Mary Ann Biddle as Scott's assistant, who was expected to decorate the sets.