Ryan Murphy Talks AMERICAN HORROR STORY: ASYLUM Season Finale, the Alien Storyline, and Season 3. Set in 1. 96. 4, the FX drama series American Horror Story: Asylum takes viewers into Briarcliff, a haven for the criminally insane, ruled with an iron fist by Sister Jude (Jessica Lange), a nun with a troubled past.  Inside this locked down facility, danger lurks around every corner, whether it’s a doctor who loves to torture, flesh eating creatures in the forest, alien experimentation or the serial killer Bloody Face, and no one is safe.  From co- creators Ryan Murphy and Brad Falchuk, the show also stars Evan Peters, Sarah Paulson, Lily Rabe, Zachary Quinto, James Cromwell, Joseph Fiennes and Lizzie Brochere. After so many twists and turns throughout this season, FX invited some reporters over to 2. Century Fox last week to screen the final episode and do a Q& A with show creator Ryan Murphy.  During the interview, he talked about what he wanted to say with the season finale, how he feels about the alien aspect, the storyline that he had considered cutting out, what director Alfonso Gomez- Rejon has added to the show, whether he’s ever thought about doing anything to connect the seasons, and that Oscar- winning actors are asking to do arcs on the show.  He also gave hints about what he’s looking to do for Season 3, and talked about the modern- day remake of The Town that Dreaded Sundown that he’s looking to do with Alfonso Gomez- Rejon directing and Jason Blum (producer of the Paranormal Activity films) producing.  Hit the jump for the interview, and be aware that there are some major spoilers, if you haven’t seen this season.

Question: What were you trying to say about the season, with the season finale? RYAN MURPHY:  I don’t know.  The thing that we were the most interested in this season was the stuff in the last episode, with the documentary series that Lana (Sarah Paulson) made about shutting down Briarcliff.  That’s one of the first things, when I, with the writers, landed on the idea of Asylum, with that period of time and those documentaries that were made.  There was a very famous documentary that Geraldo Rivera made, in that time period, that this is a loose homage of.  If you haven’t seen it, that’s on You. Tube and it’s quite fascinating.  That made Geraldo’s career.  Also, there was a brilliant movie that we were very influenced by for the last episode, which is this documentary called Cropsey, that was about the unraveling health care system in our country and how so many people were dumped there and left to rot.  All those abuses that you see, we studied pictures of and recreated all that stuff.  We did a lot of research.  That was actually our jumping off point, for the whole season.  We knew we were going to have that character go in there, become a prisoner, do her shock corridor tenure, and then go back to tear the joint down.  That was the ending, which we actually had from the very beginning.  I start working with the writers on Season 3 on Monday.  I already know what the season is, so I’ll work the writers and flush it out.  And then, I go and talk to John Landgraf and Dana Walden, and I’ll pitch the whole season.  That’s a really great thing to do.  And then, after we pitch it, we start writing it.  Did you always know, from the beginning, that Lana would survive the season? MURPHY:  Yeah!  I always knew that she would survive.  I did not know how fantastic her wigs would be.  That was a lot of fun, too.  Sarah Paulson had so many dark days, but she loved it.  She actually was weepy when the show ended because she said, “I’ve never had a character that had a beginning, middle and end, like that.”  But, we took extra care with Sarah, in that last episode, to give her those wigs and the fur and the jewels.  I also like that meditation on fame, which was loosely modeled after all that Capote/In Cold Blood stuff that I have always been obsessed with, from when I was a journalist.  I thought that corruption of fame stuff was really interesting.  I know that a lot of people were furious with Lana for leaving all those people there to rot, but I love that she goes back and I love that she does try, even after everything that Sister Jude (Jessica Lange) had done, to go back to get her.  She does succeed in closing down that place, which I thought was a very heroic ending for her.  Was it always your intention to do such a straight- forward finale? MURPHY:  I think so.  The trajectory of the show is that it’s always about three to five areas that are so- called horror, that shouldn’t go together, but we put together.  The show usually has a very strong energy when it starts because you have to launch all that stuff.  And I felt the same thing last year.  I think the most successful episodes last year were the last three, and I feel that about this year.  It became a very meditative, grounded, emotional story about these three people who started it, which were Kit (Evan Peters), Lana and Sister Jude.  I don’t know how people will react, but I thought that Jude got a great happy ending.  I know Jessica felt that.  I think Kit got a very strange happy ending.  That was very influenced by the last scene in Close Encounters where Richard Dreyfuss goes off and will probably live forever.  I always imagined that as a happy ending.  And I think Lana having her Barbara Walters ending was great.  I thought it was happy endings for, not everybody, but most people. How do you feel about the alien aspect, this season?

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MURPHY:  I thought the alien stuff was interesting.  I always thought it was so metaphoric and take- it- or- leave- it, but it was so polarizing for people.  The thing I thought people would not like was Lily Rabe possessed by Satan, which was by far a great fan favorite this season.  Had you ever thought about being more clear with the alien storyline? MURPHY:  No, it was always what it was.  I was always interested in those [alien abduction] stories, and the fascinating thing about them was the people who had claimed to be abducted and who had been on the ships.  Did that happen?  I don’t know.  But, I’m fascinated that those stories started to come out, right around the time of the Civil Rights era.  I was very interested in the timing of that.  To me, that’s what that was about.  I never even like to talk about that story because I like that that’s the one thing that everybody can put their own conclusion on.  Where did they come from?  Who were they?  I liked not saying too much about it, so that people could come to their own conclusions.  If you read theories about it from this season, so many people have wildly different ideas about what it was and what it meant, and I wanted it to be that way.  Was there anything you had conceptualized for Season 2 that you didn’t get to? MURPHY:  I don’t think so because it was all done as a piece.  I think it was always that way. Brrip.W-Atch All Jamie Marks Is Dead Full Movie English Here!. There was always one storyline that I felt was on the chopping block, and that was the tribute to The Bad Seed with the little girl, but I ended up keeping it because I liked how it related to the other stuff in that episode.  But, that’s it.  What do you think the bold vision that Alfonso Gomez- Rejon has, as a director, has added to the show?

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Ryan Murphy Talks AMERICAN HORROR STORY: ASYLUM Season Finale, the Alien Storyline, and Teases Season 3 of AMERICAN HORROR STORY on FX. Watch A Haunting Discovery Channel Full Episodes Free.

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